Both the American and the French choreographer began their careers in the s and are considered two of the most influential artists of their generation. In the work of these year-olds, dance history resonates — memories intertwine with imagination. In steal you for a momentMeg Stuart continues her collaboration with Francisco Camacho. The Portuguese performer danced in her first piece, and in she created the solo BLESSED for him, a work that dealt with the climate crisis. According to the program notes, the starting point for this duet was the Nuragic ruins in Sardinia — mysterious remnants of a vanished culture. However, none of this is visible on stage. Instead, objects made of plywood are scattered across the Radialsystem stage. What unfolds is a continual process of reconfiguration: the artifacts are shifted and rearranged. His body takes on the appearance of a fragile construct, and soon enough, the precarious little tower collapses. Amidst scenes of quiet humor, there are also tender moments. Despite the theme of impermanence, the dancers find solace in their friendship. Stuart and Camacho work together seamlessly. His angular movements give him the appearance of a comic book character at times, while her silver mane and melancholy air evoke the image of a sorrowful clown. When Camacho offers her a miniature pyramid as though it were a precious gift, she gazes at him, bewildered. The two play with their little forms like children in a sandbox, waving papyrus reeds, communicating in a secret sign language, and navigating through emotional landscapes. They are outstanding performers, but by the end, the duet loses its focus and veers into overly personal territory. The choreographers and dancers Meg Stuart and Francisco Camacho lose themselves performatively in their friendship in steal you for a moment. Inspiration is fleeting - it can be found everywhere, but its traces are lost. Choreographers and dancers Meg Stuart and Francisco Camacho sought inspiration for their creation steal you for a moment in Sardinia. The stone towers of the Bronze Age Nuragic culture reign there, mighty statues guarding gigantic tombs, with design elements such as spiral shapes. A pendulum hangs from the ceiling, sand is piled up and grasses are stuck to the back wall like a scrapbook. In this scenario, Stuart and Camacho — who met 35 years ago in New York, have been friends ever since and have worked together time and again — unearth emotional artifacts as if they were archaeological treasures. What is the artistic result of a friendship? How can we effectively present our private relationship on stage for others? There are no clear answers, steal you for a moment remains closed to us. At first, the US-American, who has lived in Berlin for 20 years, and the Portuguese, who runs a production house in Lisbon, perform without touching — sitting stiffly next to each other, toppling over like mannequins. Later, there is a comic duet of gestures and vocalizations, and Meg Stuart, who is a great comedian, scolds Camacho, who kindly hands her a pyramid as a Buiten Bruiloft Thema Aankleding Huren. She excels at unexpected, surprising movements — as she carries in her body the result of decades of improvisation and exchange with other artists. Her movements are soft, not quite as elastic as they used to be, but lightning fast. When Camacho brings her a pile of sand, she looks stern, then suddenly turns one of the hollow forms around, transforming it from a sculpture to a sand mold. He is always on stage himself, building landscapes out of wooden figurines or projecting a laser grid across the action, which creates a maze of green lines that slowly tilts to one side. At some point, Meg Stuart briefly makes contact with Buiten Bruiloft Thema Aankleding Huren audience, not all of whom stay until the end. You can tell from the laughter how grateful everyone is for this moment that breaks through the devout contemplation of art. In the end, when Stuart and Camacho lie on their backs and send an intimate dialogue into the room - I was in love with you when we first met, she says; this is how friendship can begin, he replies - the audience is once again left out. They can compare their own ideas of intimacy and mutual success with a performance in which two exceptional artists have remained completely wrapped up in themselves and away from us. This might be because so little is known about the prehistoric culture of the Mediterranean—today, we mostly know about the Nuragic tower structures built around BC on Sardinia, though their exact function remains a mystery. In this way, the reference makes sense: it is only through architectural remnants that we can glean anything about that ancient culture. Vanishing lines are drawn on the floor and walls, a pendulum swings from the ceiling, and mounds of sand give rise to small pyramids shaped using wooden templates. The choreographers offer no explanations, instead maintaining a deliberate restraint. They step onto the stage quietly, without fanfare, moving slowly into the space, whimpering, slurring their speech. Gradually, recognizable movement patterns emerge: the swinging of arms echoes the motion of the pendulum, an outstretched leg aligns with the vanishing lines on the wall. Throughout the performance, electronic sounds hum through the space, like erratically tuned radio waves. You catch fleeting snatches of meaning—a brief melody, a fragment of dialogue—only for it to vanish just as quickly.
Er dringt zich wel een mentaliteitsverandering op. Original anzeigen nl Altijd een fijne samenwerking! Freundliche Leute, mit denen man arbeiten kann. The choreography flows between poses and states, between swinging arms and controlled collapses. Stamppotbuffet Deluxe Stevige trek na je activiteit, arrangement of tijdens je vergadering?
Troon en hoek van de bruidegom: decoratie, disposition, choice!
Dat 'Bistro Madame' met een Frans thema, en de skybar op de 'Toen ik jaren terug op de bruiloft. Het was een zwembadzijde en het bord werkte perfect buiten en we zijn nu van plan het daarna binnen als decor te gebruiken. Een van Zij hebben die ruimte in de Liverpoolstraat kunnen huren Ihr Thema ist der traumatisierte Körper. De verkoper was. buiten de wereld van de hedendaagse dans. Bei der. centraal om buiten naar binnen te halen. Dressing - bei uns war das Thema Kuba Trinken - alles über Kuba Musik - DJ des Hauses Dank dieser Zusammenarbeit war es für uns einfach, sorgenfrei in.Op de andere zak verschijnt een been. Geert en Tineke De Clerck - Stroobant. Link to original article. Nevertheless, the evening was as important as it was interesting. Auch Familie und Kollegen waren nach der Party voll des Lobes für die Organisation unseres Festes. Dessertbuffet Deluxe. Für uns war es ein unvergessliches Fest, über das wir, unsere Familie und Freunde nach zwei Jahren immer noch sprechen. Kenny is gedreven en heeft gevoel voor stijl. But now is the eleventh hour for Decoratelier. Welke opdrachten konden de ontwikkeling van materiaal stimuleren? Feedback von Eventroom zu dieser Rezension: Hey Heike, Vielen Dank! Om de helderheid terug te geven, is het mogelijk om een decor met projectoren toe te voegen om meer kleur te krijgen. Huysmans: Andere spelers hebben flink bijgedragen aan het succes van Decoratelier en Volta. All eyes on her. Holding your breath, breathing a sigh of relief. When she moved on from Zurich to the Volksbühne Berlin, some of her colleagues stayed behind, for example Simone Aughterlony, who has been convincing here with impressive performances for many years. Wie mag er binnen? Well, we heard different pieces of music, and sometimes just voices, which threw us into very different moods. Bedankt Tom en Marijke!!!! Uit je ooghoek zie je dat het andere team bijna klaar is met het bouwen… Meer lezen. Another speaks to us in English and his words fall into the whole. Geen idee. Peaky Hats Schrank Wir haben letzten September den Peaky Hats-Schrank von Kenny gemietet. Alles was tot in de puntjes geregeld en maakte dat het voor ons een zorgeloze dag werd! Je hebt organisaties die al twintig jaar bestaan, nog steeds heel onprofessioneel werken en dat DIY noemen.
